Release SP 16

But they listened, and in ‘Tones and Shapes’ silence becomes an active element in the music, the songs breath. And if a small sound like the squeak of a chair should find its way into a moment of silence, it was welcomed: the fact that everything is not always in place can mean, if done well, a more lively and real sound. It has a soul. Eduard’s guitar is a round trip from the US West Coast to Africa; it search’s for plea- sure when playing; if he doesn’t feel that pleasure when performing a song he will never play it again. Anna’s voice, less imposed then before and quieter when the melody gets harder, reminds Joan Pons of Karen Dalton. The Cal Eril producer feels that with ‘Tones and Shapes’, Ca?lido Home have finally found themselves. And this time, it wasn’t hard to convince them that he was right. *Bcore

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